Lila Ripoll

Origem: Wikipédia, a enciclopédia livre.

Saltar para a navegaçãoSaltar para a pesquisa

Lila Ripoll
Nome completo	Lila Ripoll
Nascimento	12 de agosto de 1905 Quaraí, Rio Grande do Sul
Morte	7 de fevereiro de 1967 (61 anos) Porto Alegre, Rio Grande do Sul
Nacionalidade	Brasileira
Principais trabalhos	Céu Vazio (1941), Novos Poemas (1951), Primeiro de Maio (1954), O Coração Descoberto (1961), Águas Móveis (1965).
Prémios	Prêmio Pablo Neruda da Paz (1951)
Género literário	Poesia
Movimentoliterário	Modernismo (2.ª geração)

Lila Ripoll (Quaraí, 12 de agosto de 1905 — Porto Alegre, 7 de fevereiro de 1967) foi uma poetisa, pianista e militante comunista brasileira.

Índice

• 1Biografia
• 2Prêmio Lila Ripoll
• 3Bibliografia
  • 3.1Poesia
  • 3.2Teatro
  • 3.3Traduções
• 4Referências

Biografia[editar | editar código-fonte]

Em 1927, aos vinte e dois anos, Lila Ripoll deixou sua cidade natal e se mudou para Porto Alegre para estudar piano no Conservatório de Música, do então Instituto Livre de Belas Artes, atualmente Instituto de Artes da Universidade Federal do Rio Grande do Sul (UFRGS)^[1]. Como estudante, ela publicou poemas na Revista Universitária.

Traslado de las entradas del Panteón

Sabíamos que un sistema de blog no era el más adecuado para un esquema que se ajusta más al de una especie de enciclopedia, pero pensábamos que durante una larga fase, mientras íbamos creando las fichas, sería suficiente.
Pero el ingreso de muchas entradas en otros idiomas, que deben ser traducidas y publicadas, nos inclina a pensar que ha llegado el momento de crear una wiki específica para el asunto.

Lo estamos haciendo en:
https://pac.miraheze.org/wiki/P%C3%A1gina_principal

Riecom. Red Iberoamericana de Estudios sobre Comunismo

Blog
http://redriecom.blogspot.com/

Facebook:
https://www.facebook.com/riecom/

INTELECTUALES Y CULTURA COMUNISTA

Itinerarios, problemas y debates en la Argentina de posguerra

Adriana Petra

Para una lista de artículos de esta autora:
https://www.conicet.gov.ar/new_scp/detalle.php?keywords=&id=47816&articulos=yes

Ediciones Pueblos Unidos

Ediciones Pueblos Unidos fue una editorial uruguaya del Partido Comunista del Uruguay, cuyo funcionamiento se extendió desde 1942 hasta el año 1990.

Berdi Kerbabayev

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Berdi Kerbabayev
Born	March 3, 1894 The village Kowki-Zeren, Tejen District, Transcaspia, Russian Empire
Died	March 3, 1974 (aged 80) Ashkhabad, Turkmen SSR, USSR
Nationality	Turkmen

Berdi Muradovich Kerbabayev (turkm. Berdi Myradowiç Kerbabaýew) was a Soviet Turkmen writer, the national writer of the Turkmen SSR (1967), an academician of the Academy of Sciences of the Turkmen SSR (1951) and a member of the Communist Party of the Soviet Union since 1948.

Contents

• 1Biography
• 2Personal life
• 3Literary works
• 4Bibliography
• 5References

Biography[edit]

Kerbabayev was born on March 3, 1894, in the family of a farmer. He studied at the village school

Bozorg Alavi

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Bozorg Alavi
Born	Bozorg Alavi February 3, 1904 Tehran, Iran
Died	February 9, 1997 (aged 93) Berlin, Germany
Nationality	Iranian
Known for	Writer, novelist and political activist
Notable work	Chashm'hā'yash (Her Eyes)

Bozorg Alavi (Persian: بزرگ علوی‎) (February 2, 1904 – February 18, 1997) was an influential Iranian writer, novelist, and political intellectual. He was a founding member of the communist Tudeh Party of Iran in the 1940s and – following the 1953 coup against Premier Mohammad Mossadegh – spent the rest of his life in exile in Germany, first during the Pahlavi regime, then returning to Germany once more following the 1979 revolution. Cheshm'hā'yash (Her Eyes), which was published in Iran in 1952 and was subsequently banned, is considered his finest novel. Alavi was also a very close friend of Iran's famous writer Sadegh Hedayat; these two created a literary group when they were residing in Paris called "sab'e group". Although Her Eyes is considered his masterpiece, Alavi also wrote many other books, such as the novel chemdanwhich was written under the influence of Freudian psychology. His other novels mirza, 53 nafar and gilemard are used in Iranian high-school textbooks. He did return to Tehran after the revolution but did not stay too long and decided to head back to Germany. Bozorg Alavi's contribution to Iranian Literature was profound and shall not be forgotten.

Life[edit]

Bozorg Alavi (born Seyyed Mojtaba Alavi) was born in Tehran, Iran. He was the third of six children. His father, Seyyed Abol Hassan Alavi, took part in the 1906 Constitutional Revolution and later published (with Hasan Taqizadeh) the progressive newsletter Kaveh (Kaweh) in Germany. His paternal grandfather

Ahmad Shamlou

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Ahmad Shamlou
Born	December 12, 1925 Tehran, Iran
Died	July 23, 2000 (aged 74) Karaj, Iran
Occupation	Poet, Encyclopedia and Journalism
Nationality	Iranian
Period	1947–2000
Literary movement	Modern literature
Notable works	The Book of Alley Fresh Air Ayda in the Mirror Ayda: Tree, Dagger, Remembrance The Manifesto Forgotten Songs Abraham in the Fire Little Rhapsodizes of Exile Panegyrics Sans Boon The Tale of Mahan's Restlessness
Notable awards	Forooghe Farrokhzad Prize, 1973 Freedom of Expression Award given by Human Rights Watch, 1990 Stig Dagerman Prize, 1999[1] Free Word Award given by Poets of All Nations in Netherlands, 2000
Signature
Website
www.shamlou.org

Ahmad Shamlou (Persian: احمد شاملو‎, Ahmad Šāmlū Persian pronunciation: [æhˈmæd(-e) ʃɒːmˈluː], also known under his pen name A. Bamdad (Persian: ا. بامداد‎)) (December 12, 1925 – July 23, 2000) was an Iranian poet, writer, and journalist. Shamlou was arguably the most influential poet of modern Iran.^[2] His initial poetry was influenced by and in the tradition of Nima Youshij. In fact, Abdolali Dastgheib, Iranian literary critic, argues that Shamlou is one of the pioneers of modern Farsi poetry and has had the greatest influence, after Nima, on Iranian poets of his era.^[3] Shamlou's poetry is complex, yet his imagery, which contributes significantly to the intensity of his poems, is simple. As the base, he uses the traditional imagery familiar to his Iranian audience through the works of Persian masters like Hafiz and Omar Khayyám. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concrete thus far unprecedented in Persian poetry, which distressed some of the admirers of more traditional poetry.

Shamlou has translated extensively from French to Persian and his own works are also translated into a number of languages. He has also written a number of plays, edited the works of major classical Persian poets, especially Hafiz. His thirteen-volume Ketab-e Koucheh (The Book of Alley) is a major contribution in understanding the Iranian folklore beliefs and language. He also wrote fiction and screenplays, contributing to children's literature, and journalism.

Contents

• 1Biography
  • 1.1Early life
  • 1.2Early work
  • 1.31957–1959
  • 1.41960–1969
  • 1.51970–1979
  • 1.61980–2000
  • 1.7Personal life
  • 1.8Death
• 2Works and style
• 3Political views
• 4Awards
• 5Books
  • 5.1In French translation
• 6See also
• 7References
• 8Further reading
• 9External links

Biography[edit]

Early life[edit]

Ahmad Shamlou was born to Haydar Shamlou and Kowkab Araqi on December 12, 1925, in Rasht to an army family. Ahmad was the second child and the only son in a family of six children. In the manner of many children who grow up in families with military parents, he received his early education in various towns, including Khashand Zahedan in the southeast of Iran, and Mashhad in the northeast, and Rasht in the north. Shamlou's childhood and adolescent were neither privileged nor easy and home was not an environment that could foster his sensitivities and he often found solace in solitude.^[4] Moving with his family from one town to the next proved a hurdle to shamlou's education.

Ehsan Tabari

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Ehsan Tabari
Born	8 February 1917 Sari, Iran
Died	29 April 1989 (aged 72) Tehran, Iran
Political party	Tudeh Party

Ehsan Tabari (Persian: احسان طبری‎; b. 1917 – d. 1989) was an Iranian philosopher, and a literary giant who played a major role in modernization in literature and cultural enlightenment in twentieth century in Iran. He was also instrumental in fostering deep understanding of Marxist philosophy in Iran. A founding member and theoretician of the Tudeh Party of Iran, he was an active participant in advancement in the political process whose aim was social progress and elimination of economic disparity in twentieth-century in Iran.

Sadriddin Ayni

Traducción automática desde el ruso:

Wikipedia, la enciclopedia libre.

Ir a navegaciónir a buscar

Wikipedia tiene artículos sobre otras personas con el nombre Aini .

Sadriddin Ayni
Sadriddin Said-Murodzoda  Sadriddin Saidmurodovich Saidmurodov (Ainu)
Alias	Ayni
Fecha de nacimiento	15 (27) de abril de 1878 [1]
Lugar de nacimiento	Kishlak Saktari,  emirato de Bukhara ,
Fecha de fallecimiento	15 de julio de 1954 [2] [1] [3](76 años)
Lugar de la muerte	Stalinabad ,  Tayik RSS , URSS
Ciudadanía (ciudadanía)	Imperio ruso  URSS
Actividad	novelista , poeta
Direccion	realismo socialista
Género	romance
Lenguaje de las obras	Tayiko
Premios
Premios
Wikimedia Commons

Sadriddin Aini ( Pers . صدالدين عيني, Taj. Sadriddin Ainӣ , nombre real Sadriddin Said-Murodzoda , 1878 - 1954 ) - Escritor soviético tayiko , personajepúblico y académico, autor de obras sobre la historia y literatura de los pueblos de Asia Central . Fundador de la literatura soviética tayika y uno de los fundadores de la literatura soviética uzbeka ^[4] .

El contenido

• 1biografia
• 2grandes obras
• 3premios y premios.
• 4estudiantes
• 5memoria
• 6notas
• 7literatura
• 8referencias

Biografia [ editar | editar código ]

Billete de Tayikistán

Estampilla de correos de la URSS , 1958.

Nació el 15  [27] de abril de  1878 en el pueblo de Saktar (ahora distrito de Gizhduvan, región de Bukhara , Uzbekistán ), en una familia campesina adinerada ^[5] . Su madre vino de la aldea de Mahalai Bolo de la niebla de Shafirkan (ahora la región de Bujara de la República de Uzbekistán). Aini estudió en Kukeldash Bukhara madrasah , estaba íntimamente familiarizada con destacados intelectuales de Bukhara, entre los que se encontraban Sadri Ziyo, la abuela Ikramcha, y otros. Sadriddin Aini fue miembro del movimiento de la iluminación, los Jadids .

Tomó parte en el establecimiento del poder soviético en Bukhara . En la época soviética, se dedicaba principalmente a actividades literarias. Compiló por primera vez una antología de la creatividad nacional tayika "Muestras de literatura tayika".

Desde el 14 de abril de 1951  , académico y primer presidente de la Academia de Ciencias de la RSS de Tayikistán ^[5] . Diputado del Soviet Supremo de la URSS 3-4 convocatorias (desde 1950 ).

Aini fue uno de los organizadores de la Universidad Estatal de Samarcanda en 1927 , que luego se llamó la Academia.

Obras principales [ editar | editar código ]

Sadriddin Aini, además de su tayiko nativo ^[6], conocía muy bien el uzbeko y escribió algunas de sus obras en ambos idiomas. Hizo una contribución significativa a la literatura de ambas naciones.

Sus obras principales son: "Odin" (publicado en 1924 ), "Dohund" (publicado en 1930 ), "Slaves" ( 1934 ), "La muerte del usurero" (1939) "Memorias" ("Bukhara"; 1949 - 1954 ). La historia "Odin" se considera el comienzo de la nueva literatura tayika. El escritor D. Ikrami dijo: "Todos salimos de Odina" ... "" Dohund "significa un mayor desarrollo del autor en la línea del realismo social. Si Odin es un héroe pasivo, Dohund es un participante activo en la revolución. "Slaves": la primera novela tayika que describe la vida de Asia Central desde principios del siglo XIX hasta los años 30 del siglo XX. En "La muerte del usurero", se creó una imagen colorida del fanático y avaro Cory Ishkamba, comparable a Gobsek , Plyushkin ,Judah Golovlev , y al mismo tiempo con características tayikas nacionales.

Los "recuerdos" son esencialmente una recopilación de cuentos sobre la infancia, la juventud del autor y ofrecen una visión general de la vida de la sociedad de Bujara a